Friday, October 20, 2017

The Shadow of What Was Lost By James Islington

The Shadow of What Was Lost
By James Islington


I almost walked past this book, the fact that it had a tag declaring that ‘If you love Wheel of Time, you'll love this book.’ didn't help. While I have a lot respect for the late Robert Jordan, I feel that Wheel of Time was full of filler material and could have been done in half the books. I also feel that he contributed to the current trend of books that are 6 to 700 pages long without an improvement in quality over older books with maybe half the page count. But the blurb on the back and the inherent promise that this series would be limited to 3 books sold me. Let's take a look and see if my faith was rewarded or punished.


James Islington is an Australian born in southern Victoria about 36 years ago. A fan of Raymond Feist (there's a name I haven't heard in a long time...) and Robert Jordan, he was finally inspired by Brandon Sanderson and Patrick Rothfuss to start writing. This actually makes him the 2nd writer in this series to be inspired by Mr. Rothfuss, which is interesting in and of itself. He currently lives with his wife Sonja and their young daughter on the Mornington Peninsula in Victoria. The Shadow of What was Lost is his first book and was published by Orbit Books in 2016 in the United States and 2014 in Australia. Orbit books is an imprint launched in 2007 by the Hachette Book Group, which in turn was founded in 2006 by Hachetter Livre, the largest publishing company in France. But enough chasing descending turtles (No Frigid, you have to go deeper*Inception Sound*), let's turn to the book!


Mighty Andarra, the largest and strongest nation on the continent was once ruled by the Augurs, men and women who had the power to read and control people's mind, foresee the future, and even more. They were directly served by the Gifted, people who could use essence; the basic life force of the universe to do a number of great things, like heal injuries, physically empower themselves and strike their enemies down with that same energy. Guided by the oracle foresight of the Augurs they ruled Andarra for generations until over 20 years ago the visions of the Augurs... Stopped. At first the Augurs were able to hide this from everyone, but sooner than anyone thought people began to realize that the Augurs could no longer see the future and their claim to power grew weaker.  Then a rebellion of people who had no magical talents rose up and killed every last Augur who could be found. The Gifted were spared but were forced through magical rituals to live under the 4 Tenets. That the gifted may not use their powers to kill, harm, or intimidate the non-gifted; and that they will obey the commands of the Administers.  In exchange the Administers will not use their powers to harm or harass the Gifted. The Administers are non-magical men and women who took an oath and went through a ritual which grants them the power to order and control the Gifted. Their job is to protect the non-magical men and women of Andarra from the Gifted and to protect the Gifted from them.


The Gifted for their part have withdrawn to fortress communities called Tol's and scattered outposts that serve as schools and collection points for Gifted born into non-magical families. Their movements are regulated, their access to food and other materials controlled and they are always, always watched by the Administers and their soldiers. Those same soldiers are armed with magical devices that allow them to track rogue Gifted, capture and control them or even kill them. The Gifted are trained in the permitted uses of their powers until their late teens, where they undergo a series of trials.  If they pass, they become adults and are welcomed into the Gifted community. If they fail, their ability to use Essence are stripped from them and they become Shadows. Shadows are marked by black marks on their face and are the lowest of the low. They are used for grunt labor within the Gifted community if they’re lucky or exiled to the outside world otherwise. The non-magical portion of humanity has no mercy for Shadows, who have no protection under the law and as such are free game for all manner of abuse and degradation. Additionally any Gifted who breaks the Tenets or disobeys the regulations of the Administration can be turned into a Shadow.


This is actually a fairly interesting social set up. One question I've often found myself asking is, if magic allows a fairly decent number of people to be so powerful that a non-magical person is no match for them in a fight, why aren't they in charge? While there are variations on the theme, in a lot of ancient and medieval societies political power was based on military strength and the guys who can call lightning from the very sky kinda of have an advantage in that respect. In the past fantasy series have come up with ideological or practical reasons why magic users weren't running everything but what Mr. Islington has done is declared that they did run things, but the source of their legitimacy was undercut and those they ruled found a way to counter their powers and turned them into a despised minority. With the creation of Shadows however he provides an outlet for the Gifted, people can put up with a lot as long as they believe there is someone else who has it worse. In my own country's history poor whites in the south put up with quite a bit because among other things they could always tell themselves that blacks had it worse for example (That’s actually being charitable. It isn’t like they thought “well it’s not so bad, black people have it worse” it’s more like “At least I’m better than the <insert racial slur>”). It also provides a threat: “as bad as you have it now, it'll be much worse for you if we turn you into a Shadow”. Which continuing my examples from the American South “Yeah it's bad for you as a black slave but it'll be worse if I sell you down the river to the deep south where the cattle often have more rights”. This threat is brought into focus with our main characters here. Let me discuss them.


Davian is a Gifted youth of unknown parentage, unfortunately when going out on a supply run for his school he was attacked by a number of non-magical men and grievously injured. He is as such unable to access Essence despite all his best efforts and constant studying. Although he has developed a few tricks such as always being able to tell when someone is lying to him. The Trials will be soon and if he doesn't break through his block, he will fail and become a Shadow and likely cast out of his home. This is incredibly disturbing to him and his two best friends Wirr and Ashalia (who is mostly called Asha). Wirr, who transferred to the school years ago is incredibly talented in the gift and highly intelligent, having received training in politics and law, along with other things. Ashalia in her own turn is very talented, charismatic, and fairly brave. When Davian is given an option that might keep him out of the trials but put him at terrible risk, he and his friends find themselves making decisions that may have an impact on a lot more then their lives because the history of Andarra didn't start a few decades ago.


Long ago in the misty past, a gifted man Aarkein Devaed led an army of monsters and worse against Andarra in service to an ancient evil. Many battles were fought against him and many heroic deeds done to undo him. He was not defeated however, only sealed away by the Boundary. The Boundary is a massive magical barrier that stretches across the north of the continent, it has stood for thousands of years and now, because what fantasy series would be complete without the following phrase, the boundary holding back the armies of darkness is weakening and may soon fail. I'll be honest this part of the plot was the part I liked least because we've seen it enough times that I have to ask what's the point of revisiting it. Plus I'm of the opinion that fantasy doesn't need Dark Lords or imprisoned evils to tell a good or epic story (Look at Grace of Kings for example). Still it's not like the presence of a great dark evil is in and of itself a bad thing. Scott Bakker’s books have them, as does Tolkien and many others. Mr. Islington at least doesn't make the ancient evil of yore the focus of the story, although it is not a small part of the story. Rather the weakening of the boundary serves to place emphasize on the weakness and division of Andarra society that may no longer be able to maintain the barrier separating them from their enemies or have the tools and abilities to meaningfully combat those enemies. Perhaps a reminder that internal division and infighting have brought about the end of as many civilizations and societies as external enemies. Because while Andarra is in great danger from its external enemies, it will be the inability of the non-magical and Gifted community to come together, get over their past conflict, and put their shared survival over their disagreements that gets them killed here (Gonna take this opportunity to point out that the Gifted don’t have the cultural or political power here.  The peace overtures kinda have to come from the non-gifted… I hope the author doesn’t the oppressed underclass make joyous peace with the status quo for the greater good, but that’s just me.).


The strength of The Shadow of What was Lost is it's ability to take old themes and cliches and combine them with new ones, as well as give us another angle to look at those old stories. It also provides some pretty good characters to follow along with, which leads me to it's weaknesses. This book has about 4 or 5 main characters, each with very separate but intersecting arcs and a large number of supporting and minor characters, with a chunk of them only really appearing in a single plot line until they are all brought together. As you might imagine this can led to a lot of jumping back and forth as the characters split up into different groups and switch around at times. Additionally there's a lot of setup that clearly won't pay off until the 2nd or 3rd book. That said to the book actually does tell a complete story in and of itself. Which I have to admit was a relief for me. I liked the book and enjoyed reading it but I cannot tell you in good faith that this is a great book. Still it's a good first book and an entertaining read. I'm giving The Shadow of What Was Lost a B-.


Next week, Stoneskin by K.B. Spangler.  Keep reading!

This review edited by Dr. Ben Allen.

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