Leviathan
Wakes
By
James S.A. Corey
Take
a space opera setting designed as a role playing game. Take a pair
of talented writers. Take a cast of interesting characters and put
them in space. Add in the greatest war in human history which as
started due to a mystery. Now add in something worse. That's how
you get Leviathan Wakes, a science fiction novel published in 2011,
nominated for the Hugo in 2012 and the Locus Award in the same year.
The book also serves as the basis for setting of the television show
The Expanse, which I haven't seen... Yet, but it has been well
received.
James
S.A Corey is a pen name used by Daniel Abraham and Ty Francis (fun
fact, the S.A in the name is actually the initials of Mr. Abraham's
daughter). Ty Francis first worked out the setting of the Expanse as
a pitch for an MMO game, but the company folded. It was possible
that the setting would have been folded up and put in the back of a
mental closet if not for Mr. Francis' sister who while taking a
creative writing course asked him for a story idea and (as any writer
would have told him would happen) wrote it wrong. So he rewrote it
to match his idea and sold it. Mr. Francis would then go on to run
the Expanse as a RPG setting on a message board where the inspiration
for many of the characters would take root (being derived from
characters people made for the game) but the game ended before they
could get anywhere really interesting. It looked like the Expanse
was heading for that mental closet expect for a meeting with Mr.
Abraham. Daniel Abraham, who had been writing since a young age was
at this a veteran writer. He had written fantasy, urban fantasy and
wrote the science fiction novel Hunter's Run (along with George RR
Martin). They both cemented their friendship when Mr. Francis was
hired to work as Mr. Martin's personal assistant (I would like to
take a moment and point out that Mr. Martin has helped a number of
writers over the years and deserves nothing but credit for that).
One of the things they did has friends? Role play in the Universe of
Expanse.
While
Mr. Francis had no great ambitions for a novel, Mr. Abraham did and
saw that the Universe of the Expanse would make a great one. They
worked alternating chapters and editing each others work (Mr. Abraham
wrote the chapters following Detective Miller, Mr. Francis followed
Captain Holden). So, the two of them set out to do the one thing that
everyone warns you not to do, don't adapt your old campaign (everyone
says this, with good reason, but it's amazing how many fantasy and
science fictions start out this way).
The
setting is what many traditional science fiction writers would
consider an in between setting. It is not the 20 minutes into the
future of Cyberpunk and it's related genres. It is not set in some
far distant future where humanity has scattered itself across the
galaxy. Instead humanity has taken space, but not yet the stars.
The Moon and Mars have been settled. Mars is independent and working
to terraform the planet to be capable of supporting life. Meanwhile
humanity has also spread across the asteroid belt and into the outer
planets. Wedging themselves into stations and hollowed out moons
and worldlets driven mostly by Mars' need for resources to drive the
terraforming process. The Belters has they call themselves have
lived out nearly beyond the light of the sun for generations now.
Developing a distinct appearance based on growing up in a low gravity
and a distinct culture based on their cramped living spaces and being
so on the edge of disaster that someone who lived their entire life
on a planet, an environment that is not constantly trying to kill
you, cannot really grasp it. This is reflected in the language that
has developed in the belt, a mash up of dozens of languages and as
many different grammar rules. A Belter can often have an entire
conservation in this slang ridden patois that no one from the Belt
could even begin to follow (this makes the Anthropologist in want to
tackle the nearest Belter character and demand they do their duty to
humanity and help me compile a grammar of this shit, because this
shit is a cultural event!). This growing cultural separation is
fueled by the resentment that the Belters feel towards the people and
governments of the inner planets who frankly use them as cheap labor
and do little if anything to address their concerns. As a
consequence of this, revolutionary groups have sprung up across the
outer system, uniting under the banner of the OP determined to stand
up for the rights of Belters and stick to the inner system man.
Meanwhile Earth and Mars, while allied for decades have their own
divisions and resentments bubbling away under the surface. The whole
system is a giant pool of gasoline and some jackass decides to go
ahead and start lighting matches. As they always do.
The
story itself centers around two men that are incredibly alike despite
being different in every way. Detective Miller is a cop on Ceres, a
hollowed out worldlet that is policed by a security corporation on
contract. He's jaded, tired, divorced and a barely functioning
alcoholic, who despite this is actually a fairly decent cop if he can
unfuck himself for 20 minutes. Detective Miller is slowly and
quietly working and drinking himself to death because he can't bring
himself to care about much else. Things take a strange turn however
when his captain assigns him a little side job. There's a rich
family on Luna with an estranged daughter named Julie Mao. She's
disappeared. Detective Miller's job is to track her, find her and
get her back to the inner system, no matter what Julie Mao has to say
about it. I've known men and women like Detective Miller, people who
have without ever discussing it with themselves or admitting it, have
decided to just let themselves slide slowly and unavoidably into a
moldering death. Often because things have fallen apart and they no
longer feel they are strong enough to pull their lives together, or
sometimes because they can't bring themselves to care. More than
often then I'd like, there is simply nothing to be done and no way to
bring out of their slow, lazy spiral into the end. But sometimes,
sometimes what they need is someone, or something that latches on to
their focus and turns them from a drifting, sputtering glider, into a
high powered guided missile. When that happens you have three
choices, help, get out of the way or follow behind them. Because
they will not stop and they will go right through you, if need be,
no matter the cost. Detective Miller has just become a high powered,
human missile that will not stop until he finds Julie Mao be she
alive or dead.
Holden
born on Earth, dishonorably discharged from the Earth Navy is the XO
of a water hauler that comes down with a terminal case of exploded.
Finding himself the Captain by right of survival and now responsible
for the well being of a number of crew men (and women) who have also
survived this attack. Captain Holden is younger, idealistic,
believing all he has to do is discover the truth and get it out there
and people will Do The Right Thing. He's also angry at a system that
has both been failed by him and failed him and determined not to let
it happen again. Like Miller he was mostly drifting through his
life, not circling the drain but floating along comfortably. Content
to simply slide through. Life however decided to smack him in the
nose with a hammer and scream wake up at the top of it's metaphorical
lungs. Captain Holden is going to find the people responsible for
killing his old ship. He's going to keep his crew mates alive and
he's going to get to the Truth and get it out to everyone, even if it
kills him. Working with and for him are a couple of interesting
characters, from the medic Sled, Amos the space mechanic (who is my
favorite), Naomi the Belter engineer and Alex the Martian Redneck
pilot. The by play and interactions of the crew are great and I
really enjoy them. Captain Holden is a man who believes in right,
truth and doing your damn job and he's going to do his level best to
live up to those ideals. This honestly makes him a more likable
character then Detective Miller and a vastly more relatable on a lot
of levels. To be fair on the day I start feeling more like Miller
then Holden, that may be the day I need to go in and talk to a shrink
or 5.
You
may be wondering about the remark I made earlier about this these two
men being very alike despite having nothing in common. Captain
Holden and Detective Miller have incredibly different life
experiences, different world views, different ideas on how society
and people work, on everything really. Boil that all away and you
get two men with the same core however, men who want to do their job
to the best of their ability and want everyone to just deal with each
other decently. Detective Miller has been beaten down by life to
stretch out his definition of decently and Captain Holden idea of
doing his job well drives other to the edge of madness at times but
that's what it is. There's also a lurking anger in both of them as
they have been repeatedly denied the very simple things they want and
while they express it in different ways, it's still there. As you
might guess those shared personality traits only make things more
difficult for both of them.
That
said it's not a perfect ride, the transition between chapters gets a
bit choppy at times. The rpg elements tends to peek through from
time to time. Some of the actions scenes feel more like fights
lifted from a rpg game then a written scene, those scenes are a
minority though so the book manages to push through that. I also
felt that more time could have spent on the complaints that caused
the division between humanity in the first place. Still the setting
and the characters get me through that. While the setting isn't hard
science ficton, it feels like it could be. I really enjoy the
setting and the divisions and how they're played out on the ground
level as opposed to the top `10% of humanity that a lot of space
opera focuses on. The characters don't explain why the tech works
but they do have to deal with the effects of the tech working and the
more time spent on the implications of technology as opposed to dry
numbing recitation of how it works the better. All these things
considered this is good space opera and good story. It's also despite
being the first book in a series a complete story in and of itself.
If I were to put this series down right here... I'd still have a full
story that ends on a satisfying note. I'm giving Leviathan's Wake
by James S.A Corey a B+. In all honesty I'm really interested in
this story now and I'm pretty sure the series is going no where but up (especially with more of Holden's crew).
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