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V: The Other Influence
Climate
fiction
Great
fiction is often declared timeless and there are certainly timeless
themes, fears and hope you can speak to. However, the stories that
grab a hold of a culture's imagination and leave deep marks on that
culture's mental landscape are those that speak to a certain time.
They invoke and speak to the fears and hopes of that time and lay
them out in the open for everyone to see. That's what Climate
Fiction seeks to do and it's certainly speaking to modern fears. To
be blunt on the matter, the hottest years on record are uniformly
listed in the last decade. In 2018 alone Japan, Korea, much of
Europe (including above the Arctic circle) and the Arabic world
(including the Sahara Desert, recording temperatures of 124 F or
51.3C the highest temperature recorded in Africa). Canada has
declared this a record summer and it stands as the hottest La Nina on
human record. Before this, 2016 was declared the hottest year in
record with 2017 coming in 3rd. I point this out to show
that frankly, yes to write of climate change is to write of something
incredibly pertinent to our modern day lives and to society. Despite
what some people would like to think.
That
said Climate Fiction didn't spring from the aether fully formed.
There were people experimenting with the ideas of climate change as
narrative form or setting before the modern day. From Jules Vern
distopian novel, Paris in the 20th century to New Wave
writer J.G. Ballard's books The Wind from Nowhere, The Drowned World
and The Burning World (all written in the 1960s). These books did
explore the effect of climate change on the world in some ways but
for example, Paris in the 20th Century focused more on the
alienation of it's main character, a man who wanted to be a poet,
living in a society that only valued science and business. JG
Ballard's book often didn't explore the science and were more often
in using climate change to explore the effects of disasters on
communities and individuals or to examine psychological effects of
disasters. The genre didn't really set itself apart or start
gathering steam however until the 21st century.
Today
Climate Fiction is sometimes referred to as Cli-fi or eco-fiction.
Cli-Fi was a term coined by Dan Bloom. Mr. Bloom is a native of
Springfield Massachusetts, where he graduated Tufts University in
Boston with a degree in literature. While he wrote a novel he never
published it and instead when to work as a journalist where he had a
varied career with a number of publications and positions. Two
experiences combined to solidify the term in his head however, first
seeing the honestly horrible film Day After Tomorrow. Second and
likely more important the 2006 report released by The
Intergovernmental Panel on Climate Change, which he read. Mr. Bloom
would coin the term Cli-Fi in 2008. It would catch on when NPR did a
5 minute radio with writers about it. Mr. Bloom would also make a
concentrated effort to push the term and encourage novels to be
published in the new genre. Describing himself as a PR person, he
contacts publishers to help writers get their stories published,
encourages the writers to write stories featuring Climate Change. He
also maintains and runs cli-fi.net, a website that focuses on the
genre. He does all of this without payment or asking for
recognition.
But
what is Cli-Fi you're asking. Climate Fiction is made of stories,
usually set in the near future where Climate Change and environmental
neglect have caught up to humanity and industrialized civilization
begins to fail. It often focuses on the poor and down trodden, those
least able to shield themselves from the ravages of a new world. In
books like The Water Knife for example we can see that the wealthy
are retreating into arcologies while the poor are left to the mercy
of an increasingly dry and merciless planet. As such there's often a
dystopian tone to Climate Fiction novels and a tendencies to focus on
people on the margins of society and civilization. This is much like
Cyberpunk, however while in much of Cyberpunk, society is shown as
corrupt but vital, in Climate Fiction there is often a sense of
decay. That society may be in fact living on borrowed time that is
rapidly running out. This is very well done in Margaret Atwood's
Oryx and Crake and the following sequels. Course, Margaret Atwood
also mixes in fears about pandemics but that is also common in
Climate Fiction as the thought is the strain of dealing with a
changing world leaves the door open for traditional human problems we
thought we had banished to come creeping back in. Climate Fiction
can also take place in the current day however, examining how the
current changes in our climate can and are impacting people living
today and the role that social and government action, or inaction
plays in that. These stories will often have a scientist protagonist
as they research the effects of climate change. Although that
shouldn't be considered a hard or fast rule as there are also plenty
of books that buck that trend.
Climate
Fiction is also a call to action. Many of the writers are hoping to
spur people to act on the facts of Climate Change to aide in
mitigating or avoiding the worse damages. Because to be honest, a
good story is often much better at planting an idea in people's head
then a dry recitation of facts. That's not to say scientific fact
has no place in Climate Fiction, but it is buttressed by the addition
of narrative and characters to ensure that it's lodged into the
memories and thoughts of the reader. This isn't the first time that
the environmental movement has used fiction to help communicate it's
goals and beliefs to the greater public and it won't be the last.
Hopefully, we'll look back at books like The Water Knife in 50 years
and discuss how such books helped avert the future written in those
pages or at least the worst of it.
So
at long last, next week, we'll tackle Solarpunk itself. I'll try to
show what it's derived from it's parent genre and why I've staked
Cyberpunk and Climate Fiction as such and we'll discuss... What the
hell is Solarpunk anyways?
Keep
Reading.
Well said, great post. Cheers, Dan Bloom in Taiwan.
ReplyDeleteFind me on Twitter at @do_you_cli_fi_
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